All rights reserved./IMDb)Ĭast: Michael Keaton as Beetlejuice, Alec Baldwin as Adam, Geena Davis as Barbara, Winona Ryder as Lydia (Main image credit: Beetlejuice/ IMDb feature image credit: Big Eyes/ Photo by Leah Gallo – © 2014 The Weinstein Company. Here are the best works of Tim Burton every goth lover must watch His later films, such as Big Fish (2003), Big Eyes (2014) and Miss Peregrine’s Home for Peculiar Children (2016), do bear the Burton- esque style, but it is mainly the ’80s and ’90s runners which made him cement his position along with stalwarts such as Stanley Kubrick, David Lynch and Alfred Hitchcock. However, the obvious dark and eerie gothic treatment faded over the years and Tim Burton movies became more inclined towards commercially viable recipes. For instance, while in Beetlejuice, there is a vivid contrast between Adam and the corpse of Barbara, as well as the glitz of the Deetz family, the dichotomy comes through the scissor-handed Edward and an artificially vibrant and bold suburban town in Edward Scissorhands. In terms of filmmaking, Tim Burton movies present a chiaroscuro of light and darkness and a juxtaposition of gothic and idyllic elements. From stark scene lighting and adept use of dark shadows to featuring a lone hero and hellish, nightmare-like settings, some believe that Burton’s films are a genre in themselves which is cultivated carefully with well-planned cinematic tropes. Very few directors understand Mise-en-scène like Tim Burton. These include Johnny Depp, Helena Bonham Carter, Winona Ryder and Danny Elfman. Soon, Tim Burton’s movies became crowd-pullers for their stunning visual appeal, eccentric plots and equally phenomenal performances from some of the best actors and composers who became the director’s muse and frequent collaborators. After this, Burton forayed into mainstream movies with Pee-wee’s Big Adventure (1985), Beetlejuice (1988) and Batman (1989). With a background in animation, he soon carved a niche for himself in the commercial movie-saturated Hollywood. He debuted with the short film Vincent in 1982, followed by Frankenweenie in 1984, that set him apart from other filmmakers of the time. After quitting a high-flying job as a Disney animator, Burton decided to pursue his own independent career in making films.
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